Traduco lo spazio in forma
we all dream of a future that is socially just and harmonious with. the natural world.
I strive to realise this vision.
I taught a graduate design studio for three years called “Deep Adaptation” (about climate crisis, contemporary culture and the circular economy)
I strive to realise this vision.
I work through brand and creative strategycultural capital and mass communication. Images and words are my tools for constructing.
I was previously led for impact strategy at Balenciaga and CCO at Pangaia. My clients include Prada, Carhartt, LVMH (Virgil Abloh), Alyx (Matthew Williams), Deloitte, JP Morgan and IKEA.I am a registered architect with masters degrees in economics (risk and priority) and philosophy (ethical autonomy).
I taught a graduate design studio for three years called “Deep Adaptation” (about climate crisis, contemporary culture and the circular economy)
I collaborated
for two seasons on an apparel range with Junya Watanabe.
I've interviewed Carlo Rovelli, Kim Jones, Ryuichi Sakamoto, Chelsea Manning, Mariana Mazzucato and Pope Francis.
I've interviewed Carlo Rovelli, Kim Jones, Ryuichi Sakamoto, Chelsea Manning, Mariana Mazzucato and Pope Francis.
I have curated the 2016 Venice Biennale British Pavilion. My work has been exhibited at Tate Britain, ICA and Design Museum
LeFebvre or Barthes
My practice is interdisciplinary. It is not, however, undisciplined. I pursue the highest standards of rigour and precision
, while at turns resisting and indulging in inactivity and reflection.
Modernity wanted to harness the scientific method to design for a universal humanity. The twentieth century largely defined this universality as a world optimised for the white, heterosexual, middle class male. As a feminist, I am working towards an intersectional model of global society.
I use space, objects, words and images to explore and promote relevance, inclusivity, equality and democracy. I am a great believer in materialist analysis (e.g. Baudrillard, LeFebvre or Barthes), although I have not found any evidence that purpose or meaning exist independently from human perception.
I am increasingly driven by the total artwork: the integration of concepts, procedures, media, forms, temporal and material realities into singular propositions. This approach draws no distinction between the abstract and actual, intellect and body, or idea and act.
, while at turns resisting and indulging in inactivity and reflection.
I am most at peace in the sea on my back. I try not to impose my view of reality onto anyone else: I am neither
Modernity wanted to harness the scientific method to design for a universal humanity. The twentieth century largely defined this universality as a world optimised for the white, heterosexual, middle class male. As a feminist, I am working towards an intersectional model of global society.
I use space, objects, words and images to explore and promote relevance, inclusivity, equality and democracy. I am a great believer in materialist analysis (e.g. Baudrillard, LeFebvre or Barthes), although I have not found any evidence that purpose or meaning exist independently from human perception.
I am increasingly driven by the total artwork: the integration of concepts, procedures, media, forms, temporal and material realities into singular propositions. This approach draws no distinction between the abstract and actual, intellect and body, or idea and act.
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